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Arts
- NEW BOOK RELEASE: Jungle-tastic Tales
- On 15th November, Jungle-tastic Tales will be released.
Hot on the heels of Inca-tastic Tales, Helen Pugh brings you: Jungle-tastic Tales! The book consists of 13 short stories plus 3 chapters on archaeology that take the reader through thousands of years of Amazonian history, from the Ice Age to the present age. Aimed at ages 8 and over, a legendary snake guides you through with wit and cheek. It has a wide variety of themes, such as history, culture, nature, mythology, photography and even football.
It's packed full of facts. For example, did you know...?
- There were once huge cities in the Amazon rainforest.
- The Amazon is home to millions of different species of animals and plants.
- The first city in Peru to get electric street lights was in the Amazon Region.
- A Premier League footballer grew up in the Ecuadorian Amazon.
If that's got your interest, then head to books2read.com/jungletastic (ebook and audiobook), mybook.to/junglecolour (colour paperback) or mybook.to/jungletasticbw (black and white paperback).
Praise for The Mysterious Helpers (a chapter from Jungle-tastic Tales):
"really exciting"
"a good yarn"
"I believe everyone should read this beautiful story."
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- NEW BOOK RELEASE: Jungle-tastic Tales
- On 15th November, Jungle-tastic Tales will be released.
Hot on the heels of Inca-tastic Tales, Helen Pugh brings you: Jungle-tastic Tales! The book consists of 13 short stories plus 3 chapters on archaeology that take the reader through thousands of years of Amazonian history, from the Ice Age to the present age. Aimed at ages 8 and over, a legendary snake guides you through with wit and cheek. It has a wide variety of themes, such as history, culture, nature, mythology, photography and even football.
It's packed full of facts. For example, did you know...?
- There were once huge cities in the Amazon rainforest.
- The Amazon is home to millions of different species of animals and plants.
- The first city in Peru to get electric street lights was in the Amazon Region.
- A Premier League footballer grew up in the Ecuadorian Amazon.
If that's got your interest, then head to books2read.com/jungletastic (ebook and audiobook), mybook.to/junglecolour (colour paperback) or mybook.to/jungletasticbw (black and white paperback).
Praise for The Mysterious Helpers (a chapter from Jungle-tastic Tales):
"really exciting"
"a good yarn"
"I believe everyone should read this beautiful story."
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- South Yorkshire writer’s hit book on Roman occupation
- A retired training company consultant from South Yorkshire can thank his dreams for marching into the top 10 with his first book.
Guy Aston’s thrilling Roman adventure, MESSIAH, has reached number 10 in Amazon’s historical charts as well as attracting a lengthy string of five-star reviews.
The gripping love story set around the bloody Bar Kokhba Revolution has been described by critics as ‘having everything’, being a ‘rattling good yarn’, and being ‘brilliantly researched’.
But the 71-year-old has a distant dream to thank for the plot to his stunning debut.
Guy explained: “MESSIAH is based in Judaea, now part of the state of Israel.
“It is the region that revolted against Roman occupation in 132AD.
“I stumbled across Cassius Dio’s epitome of the conflict.
“That night I dreamt about a Roman officer picking up signs of trouble - as mentioned by Dio - but everyone ignored him.
“I thought there might be a story here and drafted up four or five pages.
“I liked it and carried on with it.”
MESSIAH follows the fortunes of young Roman officer, Lucius Decimus Petronius, on his first appointment serving in the Legions.
The Bar Kokhba Revolt of 132AD is regarded as one of the bloodiest uprisings Rome faced within its vast empire.
Throw in a Jewish Christian girl from a detested sect as well as an experienced legionnaire into the mix, you have a story that is gripping on all levels.
Guy’s meticulous research and natural storytelling ability brings to life a dark chapter in the history of the Roman empire.
He hopes MESSIAH will educate as well as entertain.
Guy said: “My love of matters Roman is down to a lady called Colleen McCullough, an eminent surgeon who was also the author of the First Man in Rome series.
“I have always believed that accurate historical novels are an accessible introduction to a period of history. Bernard Cornwall has opened several periods for me over the years.
“My genre is historical fiction though I enjoy esoteric history too, especially early Christianity, The Sangreal and the sacred bloodline.”
Guy has been so encouraged by the reaction to MESSIAH that he is currently working on a sequel – CATACLYSM - with further books also in the pipeline.
For more details, visit Amazon and search for Guy Aston, where the paperback and Kindle formats of MESSIAH are both available.
Notes to the editor
PublishNation was formed in London in 2011 to provide high quality services to writers at affordable prices.
Since its launch, the company has assisted in the publication of around 2,000 books in a variety of genres for clients throughout the world.
For more details on PublishNation, visit their website at www.publishnation.co.uk
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- THE CHALLENGES OF MASKS WITH HEARING LOSS
- During the COVID-19 pandemic, audiologists and other hearing healthcare professionals are concerned about our patients. With social distancing, we are communicating at a distance of six feet which is difficult if not impossible with a loss of hearing.
Going to the grocery store, socializing with others, or processing and collecting information at a medical appointment is more difficult than it used to be. If conversation is not understood, ask the person to write down what is being said. Request a written summary after any medical visit.
Thinking into the future is important for us so that we can plan for communicating with our patients. Masks pose so many concerns. Talking on the phone while wearing a mask makes conversation sound mushy. Wearing a mask is uncomfortable. Eyeglasses steam up. The list goes on.
Behind-the-ear (BTE) hearing aids and cochlear implants (CIs) in particular pose a great risk for difficulty. When one removes glasses, flips off a hat or hood, or removes a scarf, hearing aids can go flying off the ear. An active adult or child may forget to check that the hearing aid is still in place.
My colleagues and I have already gotten a few calls from patients who lost hearing aids by taking a mask on and off, and that the mask is not comfortable with BTE hearing aids. After all, unless you have a large space between your scalp and ear (which is to say, no one), there’s limited real estate to work with. Anyone who wears both hearing aids and eyeglasses is already aware of the challenges.
Here are five solutions that may help people who wear BTE hearing aids or CIs.
1. If you have long hair, pull it back in a bun and, provided the face mask elastics are adjustable and long enough, loop the elastics around the bun.
2. Sew two large buttons onto a soft headband that are lined up with each ear. Looping the elastic around each button will take the strain off of your ears. See a photo of an example here.
3. Similarly, if you know someone who crochets or sews, you can create a face mask extension out of fabric, ribbon, or yarn that is four inches long. Then add buttons onto the extension so the elastics are off your ears..
4. There are YouTube videos on creating masks that tie behind the head, which puts absolutely no pressure on the ears. Here is a great example. This company, founded by a person who uses hearing aids, created a mask that uses a plastic toggle to keep the top elastic in place.
5. A Boy Scout created a plastic extension to help masked healthcare workers take pressure off their ears. But for those of us without access to a 3D printer, try this paper version of a mask extension or use even a paperclip. With everyone wearing masks, even people with typical hearing will find that they have relied on facial cues more than they thought. . To help us all communicate better, remember to speak slowly and distinctly. Ask the person who you are communicating with if they understood what you said.
We all look forward to the future when life becomes a little easier. Until then, be cognizant of the communication difficulties created by wearing a mask. Be patient. Be kind. We all deserve it.
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Business
- Gear Up: Panniers for Your Folding Bike Adventures
- Folding bikes have become the epitome of urban mobility and versatile exploration, and when it comes to enhancing your folding bike adventures, the choice of panniers is pivotal. Ortlieb, a brand synonymous with durability and innovation, offers a range of panniers designed to cater specifically to the needs of folding bike enthusiasts. Let’s explore it’s top panniers that will gear you up for a seamless and stylish folding bike experience.
1. Ortlieb Back Roller City Panniers: Unrivaled Durability and Weather Resistance
At the forefront of the lineup is the Ortlieb Back-Roller City Panniers, a testament to the brand's commitment to durability and functionality. These panniers are renowned for their robust build and waterproof design, ensuring your belongings stay safe and dry even in the most unpredictable weather conditions. The roll-top closure adds an extra layer of protection and convenience, while the quick and easy attachment system makes them a perfect fit for folding bikes. Whether you're navigating city streets or tackling off-road trails, the Back-Roller City Panniers are ready for the challenge.
2. Ortlieb Sport-Roller High Visibility Panniers: Safety and Style in One Package
For those who prioritize safety without compromising on style, the Sport-Roller High Visibility Panniers are a game-changer. These panniers come in vibrant colors with integrated reflective yarn, ensuring maximum visibility on the road. The high-quality, durable materials are coupled with the signature waterproofing technology. With a user-friendly attachment system, these panniers not only keep your gear safe but also make you stand out on your folding bike adventures, especially during low-light conditions.
3. Ortlieb Urban Line Commuter-Daypack City Pannier: A Blend of Backpack and Pannier
For those seeking versatility in their folding bike adventures, the Urban Line Commuter-Daypack City Pannier offers a unique combination of a backpack and a pannier. This innovative design allows you to seamlessly transition from biking to walking without compromising on comfort. The waterproof fabric and roll-top closure ensure the safety of your belongings, while the adjustable and detachable shoulder strap adds convenience for on-the-go urban exploration.
4. Ortlieb Front-Roller Classic Panniers: Compact and Front-Mounted Convenience
When space is a premium, the Front-Roller Classic Panniers provide a compact yet efficient solution. Designed to be front-mounted, these panniers offer easy access to your belongings while maintaining a sleek profile. The durable construction and reliable attachment system make them a suitable choice for folding bikes, particularly for riders who want a balanced and evenly distributed load.
Gear Up with Confidence for Your Folding Bike Journeys
Choosing Ortlieb back panniers for your folding bike adventures is not just a practical decision; it's a commitment to quality and reliability. Whether you opt for the spacious Back-Roller City Panniers, the safety-focused Sport-Roller High Visibility Panniers, the versatile Urban Line Commuter-Daypack City Pannier, or the compact Front-Roller Classic Panniers, you can gear up with confidence, knowing that your panniers are built to withstand the demands of your folding bike journeys. So, buckle up, attach those panniers, and set out on your next folding bike adventure with Ortlieb by your side. Happy riding!
St Kilda Cycles
5 Vale St., St Kilda.
Vic 3182
(03) 9534 3074
info@stkildacycles.com.au
http//stkildacycles.com.au
new
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- Ansh Fabrics mission is to serve our clients with world class quality fabrics.
- Established in the year 2009 by Mr. Satish Talwar, Ansh Fabrics is a leading Manufacturer, Exporter, Trader and Wholesaler of an excellent quality range of Sportswear Fabric, Jacket Fabrics, T- Shirt Fabrics, Sweatshirt Fabrics etc. The fabrics provided by us are woven in compliance with industry set norms with the help of quality assured threads, yarns with the help of sophisticated technology.
We are fostered with a robust and ultramodern manufacturing unit that makes us capable of producing a wide range of fabrics. Cover a broad area, this infrastructural unit is properly divided into plenty of well functional departments like R&;D, sales, procurement, admin, quality testing, production, packaging, transportation, etc. This segregation helps us to meet the variegated needs of the clients in timely and efficient manner. Visit us at https://anshfabrics.in/
Sports fabrics are technical materials which help to keep the wearer comfortable during exercise. The type of fabric required will depend upon the intensity of the exercise and the activity. Yoga clothing should use fabrics with good stretch ability for easy movement which will likely require the fabric to be of a knitted construction. Apparel for long distance running will keep the wearer in good comfort if it has excellent moisture wicking properties to enable sweat to transfer from the inside to the outside for the garment.
Our Product Range can be visited at the below link:
Jersey Fabrics - https://anshfabrics.in/jersey-fabrics/
Fabrics With Spandex - https://anshfabrics.in/fabrics-with-spandex/
Bottom Wear Fabrics - https://anshfabrics.in/bottom-wear-fabrics/
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- St Albans Postboxes - Postbox yarnbombers return for 5th year running
- The magical woolly wizards at St Albans Postboxes haven't been idle all year - having completed an audit, set up a database and cleaned their crochet hooks and knitting needles, they've been busy fixing, cleaning, mending and of course making some new toppers! And now it's the fun bit, when all 60 of the toppers have been released into the wild and are on display on their postboxes.
This year, the team are supporting St Albans Action For Homeless (SAAH) and St Albans Community Pantry.
SAAH support worker Sharon Linney told us : "We really need this fundraising.Government figures released on the 28th July 2022 show 74,230 households in England became homeless or were at imminent risk of becoming homeless between January and March 2022.This represents a 11% rise in three months and a 5% rise on the same period last year. Evictions slumped during the pandemic, as court proceedings were paused.The cost of living crisis and rising rents, coupled with energy price hikes mean it will only get worse. As a last resort people are begging to put food on the table."
Sharon and colleague Lynn Dutton have been firm supporters of St Albans Postboxes since its advent and added: "We love the sense of well being and smiles it puts on peoples faces, whilst helping local charities. Myself and Lynn last year retrieved a postboxer topper from a lamp-post and put it back in situ, and thoroughly enjoy every single creation made."
Creative magicians Candy Stuart and Lucy Dronfield (photo: Candy on left, Lucy on the right) are again co-ordinating the fabulous team of makers who donate time and wool to create these fabulous postbox toppers which are surely now a part of the St Albans December landscape! Co-founder Candy says:
"We are once again delighted to have been creating toppers, organising makers, databases and logistics for the annual St Albans Postboxes' Christmas extravaganza. We have many of our long serving talented makers involved but also a large number of new creators on board, giving up their precious free time to crochet and knit their amazing works of art. There are still some old favourites out and about - the ever-popular mince pies are spruced up and on a postbox near you. Although a third of this year’s crop will be brand new whilst some will be familiar but reimagined.
Each topper is the product of the maker’s own imagination, some patterns are used, but many are completely original and freehand. Many, many hours go into the thought process behind each topper months in advance, including the characters and structures required, as well as sourcing materials before a hook or knitting needle is even lifted. Yes, we think of Christmas all year round!
Each base contains at least four balls of wool, before we even start on characters which require many specialised yarns as well as stuffing, wires, foam, cans, polystyrene packaging and anything we can get our hands on. You may see the waste from oven packaging - I see a giant Christmas parcel in the making! We are constantly on the lookout for our top colours of red, white and green yarn to add to our countless collection of Christmas trees, Father Christmases and snow people.
This project takes up a huge amount of our time but we think every challenge is worth it. The pleasure we get from the community enjoying the products of our labour is immense and the feeling of everyone coming together at Christmas to help our amazing local charities is priceless!
We are particularly pleased this year to be supporting two outstanding and hard-working local charities which are already feeling the pressure this winter. They provide much needed support for some of the most vulnerable in our society and are entirely reliant on donations at this very difficult time."
As usual, each postbox topper is sponsored by a local business and co-founder Clare Suttie adds: "We know this is a difficult time for businesses, and we are so grateful that once again the generous and supportive local business people have dug deep and shown our charities their incredible support." Sponsors, who donate directly to our fundraising link, support two local charities - St Albans Action For Homeless (SAAH) and St Albans Community Trust - include restaurants, pubs, accountants, churches, a group of neighbours, families, and running clubs!
The makers deliver their toppers to Postboxes HQ where Candy Stuart and Lucy Dronfield make sure each work of art is ready to meet their postbox in December.
Candy commented: “We love seeing the toppers arrive, made by so many people - individuals and groups working together. Postbox toppers are often portrayed as being knitted by older ladies, but we see all ages working with wool - crochet, knitting, and sewing."
One such topper has been made by the Woodcraft Folk Youth Group St Albans.
Group Leader Imke Hoffmann told us: “The children love St Albans Postboxes, and we are now in our 3rd year participating. It is one of their favourite sessions in the Autumn term. We still love being outdoors as much as possible. Our theme this year is flowers in rainbow colours to brighten up the winter days.” (two photos provided by the Woodcraft Folk Youth Group, with permission to share).
Maker Diane MacDonald told us: "This is my third year of knitting the toppers. The first year I randomly knitted Christmas figures which you assembled. I was very pleased with the way my knitting was arranged. You lay the polar bear down and I heard comments that it looked like he was sleeping off a big Christmas dinner. This led me to decide last year that I would like my knitting to tell a story. I knitted Santa, surrounded by African animals, wearing shorts and looking hot and perplexed whilst holding a map trying to fathom out his route back to the North Pole. This year I've been busy doing the 12 days of Christmas and a second topper of the reindeer becoming redundant due to Santa buying a 4x4 for deliveries."
We love the creativity and stories behind each and every topper.
A more clandestine project has been by the Sopwell Knitters, who completed their mega secret project - a to scale creation of St Albans Abbey. This drew lots of attention when they met up at the White Lion each Monday evening to enjoy a few drinks and share knitting & crochet projects. Phyllis Sweeny told us: "This was our first ever group post box topper project and it’s a whopper! It was coordinated and constructed by Nadine with us all (Nadine, Phyllis, Marga, Alison, Francine, Jenny, and Sue) contributing sections in knitting or crochet. The project started out as a bit of a joke but it has turned into a labour of love which we are super proud of. We really hope you enjoy it."
The first sign of action was on the evening of 30 November when the Sopwell Knitters held a Topping Out Ceremony for their showstopper topper! This work of art was even blessed by Cannon Will from the Abbey.
Diane told us: "I am just an average knitter. I loathe sewing up and can never perfect my knitting to my absolute liking. I will persevere, and I hope this project will continue for years to come!!"
We have to disagree, as all our toppers are way more than average. But we do hope to carry on for years to come.
The morning of 01 December saw quite a crowd for the official launch, gathering at the Clock Tower postbox, where the Herts Belles had put up this year's amazing creation of the local Waffle House restaurant, complete with a hungry green dinosaur!
The Campaign was officially declared open by the Mayor Geoff Harrison, who was delighted to attend and show his support. Daisy Cooper, MP, also showed her support for the campaign, confirming that no matter how busy her diary, 1 December would always mean postboxes!
We were joined by business sponsors including The Boot, Panda Cards, Loudbird PR, Positive Gains, and VOIspeed. The charities we are supporting were also well represented - St Albans Community Pantry and St Albans Action for the Homeless.
Over £13k has now been raised this year.
Since starting in 2018, we've yarnbombed postboxes more than 230 times, with over 250 toppers (thanks to theft and damage), and over £82 000 has been raised for local charities in this amazing fundraising project, bringing together volunteers, local businesses and everyone in the community. We can't wait to see how much can be raised in 2022.
Dec 2018 £10191.60 (Earthworks, Counselling Foundation, Ollie Foundation)
Dec 2019 £12344.44 (Age Concern St Albans, Small Acts of Kindness)
Summer 2020 covid special - £3520.56 (St Albans and District Foodbank and Open Door St Albans)
Dec 2020 £26494.52 (St Albans and District Foodbank and Open Door St Albans)
Dec 2021 £30097.50 (The ADD-vance ADHD and Autism Trust and YOUTH TALK)
Dec 2022 £13000 so far!
Donation link: https://donate.giveasyoulive.com/fundraising/st-albans-postboxes-christmas-2022
Website: https://stalbanspostboxes.org.uk/
Facebook: https://www.facebook.com/stalbanspostboxes
Instagram: StAlbansPostboxes
Contact: Clare Suttie, 07940 358 688 clare@atlas-translations.co.uk
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- St Albans Postboxes - Postbox yarnbombers return for 5th year running
- The magical woolly wizards at St Albans Postboxes haven't been idle all year - having completed an audit, set up a database and cleaned their crochet hooks and knitting needles, they've been busy fixing, cleaning, mending and of course making some new toppers! And now it's the fun bit, when all 60 of the toppers have been released into the wild and are on display on their postboxes.
This year, the team are supporting St Albans Action For Homeless (SAAH) and St Albans Community Pantry.
SAAH support worker Sharon Linney told us : "We really need this fundraising.Government figures released on the 28th July 2022 show 74,230 households in England became homeless or were at imminent risk of becoming homeless between January and March 2022.This represents a 11% rise in three months and a 5% rise on the same period last year. Evictions slumped during the pandemic, as court proceedings were paused.The cost of living crisis and rising rents, coupled with energy price hikes mean it will only get worse. As a last resort people are begging to put food on the table."
Sharon and colleague Lynn Dutton have been firm supporters of St Albans Postboxes since its advent and added: "We love the sense of well being and smiles it puts on peoples faces, whilst helping local charities. Myself and Lynn last year retrieved a postboxer topper from a lamp-post and put it back in situ, and thoroughly enjoy every single creation made."
Creative magicians Candy Stuart and Lucy Dronfield (photo: Candy on left, Lucy on the right) are again co-ordinating the fabulous team of makers who donate time and wool to create these fabulous postbox toppers which are surely now a part of the St Albans December landscape! Co-founder Candy says:
"We are once again delighted to have been creating toppers, organising makers, databases and logistics for the annual St Albans Postboxes' Christmas extravaganza. We have many of our long serving talented makers involved but also a large number of new creators on board, giving up their precious free time to crochet and knit their amazing works of art. There are still some old favourites out and about - the ever-popular mince pies are spruced up and on a postbox near you. Although a third of this year’s crop will be brand new whilst some will be familiar but reimagined.
Each topper is the product of the maker’s own imagination, some patterns are used, but many are completely original and freehand. Many, many hours go into the thought process behind each topper months in advance, including the characters and structures required, as well as sourcing materials before a hook or knitting needle is even lifted. Yes, we think of Christmas all year round!
Each base contains at least four balls of wool, before we even start on characters which require many specialised yarns as well as stuffing, wires, foam, cans, polystyrene packaging and anything we can get our hands on. You may see the waste from oven packaging - I see a giant Christmas parcel in the making! We are constantly on the lookout for our top colours of red, white and green yarn to add to our countless collection of Christmas trees, Father Christmases and snow people.
This project takes up a huge amount of our time but we think every challenge is worth it. The pleasure we get from the community enjoying the products of our labour is immense and the feeling of everyone coming together at Christmas to help our amazing local charities is priceless!
We are particularly pleased this year to be supporting two outstanding and hard-working local charities which are already feeling the pressure this winter. They provide much needed support for some of the most vulnerable in our society and are entirely reliant on donations at this very difficult time."
As usual, each postbox topper is sponsored by a local business and co-founder Clare Suttie adds: "We know this is a difficult time for businesses, and we are so grateful that once again the generous and supportive local business people have dug deep and shown our charities their incredible support." Sponsors, who donate directly to our fundraising link, support two local charities - St Albans Action For Homeless (SAAH) and St Albans Community Trust - include restaurants, pubs, accountants, churches, a group of neighbours, families, and running clubs!
The makers deliver their toppers to Postboxes HQ where Candy Stuart and Lucy Dronfield make sure each work of art is ready to meet their postbox in December.
Candy commented: “We love seeing the toppers arrive, made by so many people - individuals and groups working together. Postbox toppers are often portrayed as being knitted by older ladies, but we see all ages working with wool - crochet, knitting, and sewing."
One such topper has been made by the Woodcraft Folk Youth Group St Albans.
Group Leader Imke Hoffmann told us: “The children love St Albans Postboxes, and we are now in our 3rd year participating. It is one of their favourite sessions in the Autumn term. We still love being outdoors as much as possible. Our theme this year is flowers in rainbow colours to brighten up the winter days.” (two photos provided by the Woodcraft Folk Youth Group, with permission to share).
Maker Diane MacDonald told us: "This is my third year of knitting the toppers. The first year I randomly knitted Christmas figures which you assembled. I was very pleased with the way my knitting was arranged. You lay the polar bear down and I heard comments that it looked like he was sleeping off a big Christmas dinner. This led me to decide last year that I would like my knitting to tell a story. I knitted Santa, surrounded by African animals, wearing shorts and looking hot and perplexed whilst holding a map trying to fathom out his route back to the North Pole. This year I've been busy doing the 12 days of Christmas and a second topper of the reindeer becoming redundant due to Santa buying a 4x4 for deliveries."
We love the creativity and stories behind each and every topper.
A more clandestine project has been by the Sopwell Knitters, who completed their mega secret project - a to scale creation of St Albans Abbey. This drew lots of attention when they met up at the White Lion each Monday evening to enjoy a few drinks and share knitting & crochet projects. Phyllis Sweeny told us: "This was our first ever group post box topper project and it’s a whopper! It was coordinated and constructed by Nadine with us all (Nadine, Phyllis, Marga, Alison, Francine, Jenny, and Sue) contributing sections in knitting or crochet. The project started out as a bit of a joke but it has turned into a labour of love which we are super proud of. We really hope you enjoy it."
The first sign of action was on the evening of 30 November when the Sopwell Knitters held a Topping Out Ceremony for their showstopper topper! This work of art was even blessed by Cannon Will from the Abbey.
Diane told us: "I am just an average knitter. I loathe sewing up and can never perfect my knitting to my absolute liking. I will persevere, and I hope this project will continue for years to come!!"
We have to disagree, as all our toppers are way more than average. But we do hope to carry on for years to come.
The morning of 01 December saw quite a crowd for the official launch, gathering at the Clock Tower postbox, where the Herts Belles had put up this year's amazing creation of the local Waffle House restaurant, complete with a hungry green dinosaur!
The Campaign was officially declared open by the Mayor Geoff Harrison, who was delighted to attend and show his support. Daisy Cooper, MP, also showed her support for the campaign, confirming that no matter how busy her diary, 1 December would always mean postboxes!
We were joined by business sponsors including The Boot, Panda Cards, Loudbird PR, Positive Gains, and VOIspeed. The charities we are supporting were also well represented - St Albans Community Pantry and St Albans Action for the Homeless.
Over £13k has now been raised this year.
Since starting in 2018, we've yarnbombed postboxes more than 230 times, with over 250 toppers (thanks to theft and damage), and over £82 000 has been raised for local charities in this amazing fundraising project, bringing together volunteers, local businesses and everyone in the community. We can't wait to see how much can be raised in 2022.
Dec 2018 £10191.60 (Earthworks, Counselling Foundation, Ollie Foundation)
Dec 2019 £12344.44 (Age Concern St Albans, Small Acts of Kindness)
Summer 2020 covid special - £3520.56 (St Albans and District Foodbank and Open Door St Albans)
Dec 2020 £26494.52 (St Albans and District Foodbank and Open Door St Albans)
Dec 2021 £30097.50 (The ADD-vance ADHD and Autism Trust and YOUTH TALK)
Dec 2022 £13000 so far!
Donation link: https://donate.giveasyoulive.com/fundraising/st-albans-postboxes-christmas-2022
Website: https://stalbanspostboxes.org.uk/
Facebook: https://www.facebook.com/stalbanspostboxes
Instagram: StAlbansPostboxes
Contact: Clare Suttie, 07940 358 688 clare@atlas-translations.co.uk
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- How "Handwoven in India" is Women Empowerment
- Mahatma Gandhi once famously said that every woman in rural India is a weaver. The Swadeshi Movement that he started in 1905, was pivoted to the Handloom sector. Recognizing how widely prevalent the practice of weaving is in rural India, Gandhi envisioned that it had the potential to create economic resistance to the British Government by boycotting the textile goods from the mills in Manchester. Even in the post-independence era, the Handloom sector continues to receive importance in government policies for rural communities, especially among women.
After agriculture, handicrafts are the biggest industry in rural India. Handloom easily comprises a big segment of the Handicraft sector. But let us examine how the Handloom sector is an integral part of the lives of women in rural India:
1. Traditions: The practice of weaving with manual looms has been a part of traditions in rural Indian communities for centuries. A strong presumption (production for one's consumption) culture exists when it comes to textile goods. Women weave their textiles in their leisure time and often share their excess production as gifts or sell them in local markets.
2. Learning Early: Most women in rural India learn weaving at an early teenage. It is a norm in many communities that women should know the practice before they are at a marriageable age. Also, such skills flow from generation to generation. Mothers will teach their daughters who in turn will teach their daughters.
3. Community: Weaving is conducted as a community-wide practice. Women share designs and motifs with each other. They also sit together for spinning thread during the idle hours of the day when they do not have household chores or farm work.
The reason why the handloom industry is a different kind of empowerment for these women is that it does not demand new skill development. Nor does it require them to leave their homes for work. Most of these rural women have a busy life on the farm and are also expected to do household chores. During peak farming seasons, they work from dusk till dawn. The beauty of the handloom sector is that it effortlessly fits into their lifestyles and makes them feel more capable of earning for their families without leaving their homes. The Indian government supports this industry in multiple ways. Area Block offices provide yarn and loom to local women. The government also frequently holds training programs in villages. NGOs and companies also aid these women in reaching markets by procuring their products and taking over distribution and marketing. But some companies take it further. They experiment with these weaver communities on new materials and new techniques.
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- How "Handwoven in India" is Women Empowerment
- Mahatma Gandhi once famously said that every woman in rural India is a weaver. The Swadeshi Movement that he started in 1905, was pivoted to the Handloom sector. Recognizing how widely prevalent the practice of weaving is in rural India, Gandhi envisioned that it had the potential to create economic resistance to the British Government by boycotting the textile goods from the mills in Manchester. Even in the post-independence era, the Handloom sector continues to receive importance in government policies for rural communities, especially among women.
After agriculture, handicrafts are the biggest industry in rural India. Handloom easily comprises a big segment of the Handicraft sector. But let us examine how the Handloom sector is an integral part of the lives of women in rural India:
1. Traditions: The practice of weaving with manual looms has been a part of traditions in rural Indian communities for centuries. A strong presumption (production for one's consumption) culture exists when it comes to textile goods. Women weave their textiles in their leisure time and often share their excess production as gifts or sell them in local markets.
2. Learning Early: Most women in rural India learn weaving at an early teenage. It is a norm in many communities that women should know the practice before they are at a marriageable age. Also, such skills flow from generation to generation. Mothers will teach their daughters who in turn will teach their daughters.
3. Community: Weaving is conducted as a community-wide practice. Women share designs and motifs with each other. They also sit together for spinning thread during the idle hours of the day when they do not have household chores or farm work.
The reason why the handloom industry is a different kind of empowerment for these women is that it does not demand new skill development. Nor does it require them to leave their homes for work. Most of these rural women have a busy life on the farm and are also expected to do household chores. During peak farming seasons, they work from dusk till dawn. The beauty of the handloom sector is that it effortlessly fits into their lifestyles and makes them feel more capable of earning for their families without leaving their homes. The Indian government supports this industry in multiple ways. Area Block offices provide yarn and loom to local women. The government also frequently holds training programs in villages. NGOs and companies also aid these women in reaching markets by procuring their products and taking over distribution and marketing. But some companies take it further. They experiment with these weaver communities on new materials and new techniques.
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- Fiberglass Market Segmentation 2022-2027
- Fiberglass Market were valued at 11.3 billion in 2021and is expected to grow at a CAGR of 4.5% in the outlook period of 2021 to 2026.
Fiberglas is most commonly known as a reinforced plastic material which is composed of a woven material that is embedded with glass fibres which are randomly laid across each other and held together with a binding substance. Fibreglass is combined with resin to form an extremely strong and durable composite; these are the main factors that have considerably increased the demand for the Fiberglass in the market, thereby driving the huge growth of the Fiberglass market in the upcoming years
Market Drivers and Restrains:
The main factors that have considerably increased the demand for the Fiberglass in the market is mainly due to the huge rise in the demand for PCBs using fiberglass is the vital factor escalating the market growth, also rising demand for the power generation from the wind energy industry, rising use of fabrics in numerous applications such as defence, aerospace, transportation, electrical and construction in the rotor blades and changing standard of living are the major factors among others driving the fiberglass market. Development of manufacturing sector, improvement of infrastructural facilities and new product development will further create new opportunities for the fiberglass; these are the main factors that have considerably increased the demand for the Fiberglass in the market, thereby driving the huge growth of the Fiberglass market in the upcoming years
Browse for full report @ https://www.marketdataforecast.com/market-reports/fiberglass-market
Report is segmented as:
Fiberglass Market is segmented on the basis of by:
· By Type (E-Glass, ECR-Glass, H- Glass, S-Glass, AR-Glass, etc)
· By Application (Insulation, Composites)
· By Resin Type (Thermoset and Thermoplastic)
· By Product Type (Glass Wool, Yarn, Chopped Strand)
Geographical Segmentation:
Fiberglass Market is segmented into North America, Europe, Asia Pacific, Latin America and Middle East & Africa and rest of world. Asia Pacific has the dominant share in the Fiberglass is due to the rising production of electrical and electronics, aerospace, construction and defense these are the main factors that have considerably increased the demand for the Fiberglass in the Asia Pacific region , followed by Europe, North America, Latin America and Middle East & Africa will register a slower increase in the Fiberglass Market
Ask for a sample report @ https://www.marketdataforecast.com/market-reports/fiberglass-market/request-sample
Impact of COVID-19 on Market
Covid-19 pandemic has impacted the growth of the Fiberglass market, The COVID-19 has started in the end of 2019 in Wuhan china; this has affected many industries from different sectors in various countries and also affected Fiberglass market. Covid-19 pandemic has impacted huge on the sales revenue Fiberglass market. Due to the government restrictions like lockdown in many countries has stopped the production of products by the manufacturing companies, In recent days relaxation in restrictions by the government and people are getting vaccinated to stop the spread of corona virus are expecting to raise the Fiberglass market growth
About Us:
Market Data Forecast is a firm working in market research, business intelligence, and consulting. We have rich research and consulting experience for various business domains to cater to individual and corporate clients’ needs.
Contact Us:
Market Data Forecast
Phone: +1-888-702-9626
Email: contact@marketdataforecast.com
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- Non-Licensed Asbestos Removal Work Nottingham
- Here at ICE Asbestos Iceasbestos.com we specialise in the removal of non-licensed asbestos throughout Nottingham.
This includes Ashby De La Zouch, Birmingham, Burton, Carlton, Coventry, Derby, Leicester, Wolverhampton, Worksop, Yorkshire and throughout the rest of the UK.
The removal of non-licensed asbestos requires significant amounts of training, insurance, equipment, waste license and knowledge of the materials and the condition of the asbestos being removed.
This includes the removal of asbestos in places such as Roof sheeting, Rainwater goods, Ropes, Yarns, Vinyl floor tiles and much more.
For more information, please contact Tony on 0333 772 0424, or email him on tony@iceasbestos.com.
Address - Inter City Environmental Consultants Limited, 43b Plains Road, Mapperley, Nottingham, NG3 5JU.
Website: https://www.iceasbestos.com/
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Consumer
- LAMPETER’S SNAIL OF HAPPINESS FINALIST FOR SMALL BUSINESS AWARD
- LAMPETER’S SNAIL OF HAPPINESS FINALIST FOR SMALL BUSINESS AWARD
Local firm The Snail of Happiness has been shortlisted for Britain’s best high street business.
08/04/2024: The Snail of happiness based in Lampeter, Ceredigion has been chosen as a finalist in the High Street Hero category at this year’s Small Awards.
Now in its eighth year, The Small Awards is a nationwide search for the smallest and greatest firms in the UK, across all sectors. It is organised annually by Small Business Britain, which champions, inspires and accelerates the nation’s 5.5 million small firms.
Jan Martin and Jon Sayer started The Snail of Happiness to sell pre-loved crafting supplies and new British yarn to promote sustainability and a circular economy within the community. As a part of that, they also run drop-ins and classes in making and mending. It has been selected as one of just eight finalists in the High Street Hero category for best high street business, which celebrates the nation’s standout independents that play a key role on their local high streets and within their communities.
With eleven different categories, the Small Awards celebrate the dynamism and resilience exhibited in the UK’s small business sector, across everything from sustainability heroes to digital stars, to long-standing family businesses.
“The Small Awards is all about celebrating the inspiring small business owners who are at the heart of the economy and their communities,” said Michelle Ovens CBE, Founder of Small Business Britain. “They are an opportunity to recognise and applaud the passion and resilience of the nation’s small firms, particularly amidst such turbulent times. The Snail of Happiness is extremely deserving of being shortlisted for this award and we can’t wait to celebrate with them in May.”
Jan Martin says “We are thrilled to have been shortlisted for the High Street Hero award. After opening our doors two years ago, it is incredibly gratifying to be recognised in this way. We have had amazing support from the community, along with help and advice from Smart Busnes and the Cynnal Y Cardi fund. We feel that being shortlisted is, in part, down to that.”
Judged by a panel of industry experts, the winners of all categories, including the overall winner of the Small Business of the Year award, will be announced at a splendid awards ceremony in London on 16th May, 2024.
The ceremony will this year be held at St Mary’s church in London, with plans underway for a night of entertainment, inspiration, and celebration for UK’s greatest small businesses.
• Ends –
Notes to Editors
About The Small Awards
The Small Awards, launched in 2017, targets the whole small business sector focusing on businesses often overlooked by other awards.
The Small Awards is run by Small Business Britain, the UK’s leading champion of small businesses, supporting all 5.5 million small businesses in the UK – no matter their location, their sector, or their ambition level.
Through a series of reports, events and campaigns, Small Business Britain champions, inspires and accelerates small businesses in the UK to foster growth and increased confidence.
https://thesmallawards.uk
https://smallbusinessbritain.uk
X: @TheSmallAwards
Facebook: @thesmallawards
Instagram: @thesmallawards
About The Snail of Happiness
The Snail of Happiness opened in Lampeter, Ceredigion, Wales in March 2022. We sell British wool, making and mending equipment and pre-loved crafting supplies, including fabric, yarn, paper and tools. Our aims are to promote mending and reuse, slow crafting, to support our community and encourage the development of a circular economy.
https://thesnailofhappiness.com
https://www.linkedin.com/company/the-snail-of-happiness/about/
https://www.linkedin.com/in/jan-martin-49bb432a4/?originalSubdomain=uk
https://www.facebook.com/snailofhappiness/
https://www.instagram.com/thesnailofhappiness/
https://www.tiktok.com/@the.snail.of.happ
Media Contacts
For more information please contact:
Jon Sayer / Jan Martin at thesnailofhappiness@gmail.com
07943 016 626
new
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Education
- How “Handwoven in India” is Women Empowerment
- Mahatma Gandhi once famously said that every woman in rural India is a
weaver. The Swadeshi Movement that he started in 1905, was pivoted to the
Handloom sector. Recognizing how widely prevalent the practice of weaving is
in rural India, Gandhi envisioned that it had the potential to create economic
resistance to the British Government by boycotting the textile goods from the
mills in Manchester. Even in the post-independence era, the Handloom sector
continues to receive importance in government policies for rural communities,
especially among women. After agriculture, handicrafts are the biggest
industry in rural India. Handloom easily comprises a big segment of the
Handicraft sector. But let us examine how the Handloom sector is an integral
part of the lives of women in rural India:
1. Traditions: The practice of weaving with manual looms has been a part of
traditions in rural Indian communities for centuries. A strong presumption
(production for one’s consumption) culture exists when it comes to textile
goods. Women weave their textiles in their leisure time and often share their
excess production as gifts or sell them in local markets.
2. Learning Early: Most women in rural India learn weaving at an early
teenage. It is a norm in many communities that women should know the
practice before they are at a marriageable age. Also, such skills flow from
generation to generation. Mothers will teach their daughters who in turn will
teach their daughters.
3. Community: Weaving is conducted as a community-wide practice. Women
share designs and motifs with each other.They also sit together for spinning
thread during the idle hours of the day when they do not have household
chores or farm work.
The reason why the handloom industry is a different kind of empowerment for
these women is that it does not demand new skill development. Nor does it
require them to leave their homes for work. Most of these rural women have a busy life on the farm and are also expected to do household chores. During
peak farming seasons, they work from dusk till dawn. The beauty of the
handloom sector is that it effortlessly fits into their lifestyles and makes them
feel more capable of earning for their families without leaving their homes.
The Indian government supports this industry in multiple ways. Area Block
offices provide yarn and loom to local women. The government also frequently holds training programs in villages. NGOs and companies also aid these women in reaching markets by procuring their products and taking over distribution and marketing. But some companies take it further. They
experiment with these weaver communities on new materials and new
techniques. The Dutch brand, Dzukou, works with silk weavers in North East
India. They tinker and experiment with the materials to develop new surface
finishes and incorporate new fibres such as banana and bamboo into the silk
textiles. When companies work to collaborate with these women weavers in
making and experimenting, it helps them develop their design sense and know more about the trends in the markets, which are usually far away from their rural homes.
When you buy “Handwoven in India” textiles, you directly reach their weaving communities. You make it possible for them to work from their remote homes, live in their communities, earn for their families, and feel happy about their creative output. Hence, " Handwoven in India” is women's empowerment.
Author Bio:
Prarthana Majumdar is the founder of the sustainable lifestyle brand, Dzukou
(www.dzukou.com). Dzukou also works with rural craftsmen in East India to tinker and experiment with their materials. The aim is to innovate new eco-materials for products and also help these craftsmen to reach western markets. Prarthana is also a researcher in the field of Sustainability and Design.
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- How “Handwoven in India” is Women Empowerment
- Mahatma Gandhi once famously said that every woman in rural India is a
weaver. The Swadeshi Movement that he started in 1905, was pivoted to the
Handloom sector. Recognizing how widely prevalent the practice of weaving is
in rural India, Gandhi envisioned that it had the potential to create economic
resistance to the British Government by boycotting the textile goods from the
mills in Manchester. Even in the post-independence era, the Handloom sector
continues to receive importance in government policies for rural communities,
especially among women. After agriculture, handicrafts are the biggest
industry in rural India. Handloom easily comprises a big segment of the
Handicraft sector. But let us examine how the Handloom sector is an integral
part of the lives of women in rural India:
1. Traditions: The practice of weaving with manual looms has been a part of
traditions in rural Indian communities for centuries. A strong presumption
(production for one’s consumption) culture exists when it comes to textile
goods. Women weave their textiles in their leisure time and often share their
excess production as gifts or sell them in local markets.
2. Learning Early: Most women in rural India learn weaving at an early
teenage. It is a norm in many communities that women should know the
practice before they are at a marriageable age. Also, such skills flow from
generation to generation. Mothers will teach their daughters who in turn will
teach their daughters.
3. Community: Weaving is conducted as a community-wide practice. Women
share designs and motifs with each other.They also sit together for spinning
thread during the idle hours of the day when they do not have household
chores or farm work.
The reason why the handloom industry is a different kind of empowerment for
these women is that it does not demand new skill development. Nor does it
require them to leave their homes for work. Most of these rural women have a busy life on the farm and are also expected to do household chores. During
peak farming seasons, they work from dusk till dawn. The beauty of the
handloom sector is that it effortlessly fits into their lifestyles and makes them
feel more capable of earning for their families without leaving their homes.
The Indian government supports this industry in multiple ways. Area Block
offices provide yarn and loom to local women. The government also frequently holds training programs in villages. NGOs and companies also aid these women in reaching markets by procuring their products and taking over distribution and marketing. But some companies take it further. They
experiment with these weaver communities on new materials and new
techniques. The Dutch brand, Dzukou, works with silk weavers in North East
India. They tinker and experiment with the materials to develop new surface
finishes and incorporate new fibres such as banana and bamboo into the silk
textiles. When companies work to collaborate with these women weavers in
making and experimenting, it helps them develop their design sense and know more about the trends in the markets, which are usually far away from their rural homes.
When you buy “Handwoven in India” textiles, you directly reach their weaving communities. You make it possible for them to work from their remote homes, live in their communities, earn for their families, and feel happy about their creative output. Hence, " Handwoven in India” is women's empowerment.
Author Bio:
Prarthana Majumdar is the founder of the sustainable lifestyle brand, Dzukou
(www.dzukou.com). Dzukou also works with rural craftsmen in East India to tinker and experiment with their materials. The aim is to innovate new eco-materials for products and also help these craftsmen to reach western markets. Prarthana is also a researcher in the field of Sustainability and Design.
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